TL;DR It ain’t Hurt Locker 😛
Hacksaw Ridge is this year’s entrant in the Oscars for a war movie. While it doesn’t punch you in the guts like The Hurt Locker, it sure has it’s moments. It satisfies most of the checklist for a war film – action, drama, politics, more action, romance, patriotic rhetoric, some more action, fever pitch emotions and a final sprinkling of action. Hacksaw Ridge is based on the life of Desmond Doss, an American combat medic during World War II. The story tracks his life as a young man who enlists in the army post Pearl Harbour with a deep sense of responsibility to his country while at the same time being opposed to violence. The conflict of war and peace, violence and non-violence understood within religious subtext is the central theme of the movie.
Andrew Garfield as Desmond Doss is the highlight of the film – it’s impossible to not be charmed by his innocence and a simple view of the world that he sees through the lens of his faith. Directed by Mel Gibson and written by Andrew Knight and Robert Schenkkan, Hacksaw Ridge earned six Academy Award nominations including Best Picture, Best Director for Gibson and Best Actor for Garfield. What can I say – war movies are Academy pleasers! Hacksaw Ridge surely brings two of Gibson’s passions together – religion and war, so it’s not a surprise that he broke his directing hiatus for it. The movie is designed to focus entirely on Desmond Doss which moves the rest of the cast to the background with interesting bits from Vince Vaughn and Sam Worthington. And while that ensured Garfield’s Best Actor nomination, in our opinion, that is one of the core weaknesses of the movie. Hacksaw Ridge finally went on to win the two technical awards – Editing and Sound mixing.
Doss’s character is full of boyish charm, naïveté and an incredibly optimistic view of the world. The romantic angle in the movie is introduced right in the beginning where we see Doss smitten by Dorothy Schutte, who’s a nurse by profession. Doss is interested in medicine and looks at it as an extension of the teachings of his faith – to help heal those in pain. Their fairy tale romance is full of humor and lightness and it’s interesting to see the strain of humor survive the more grim parts of the movie. Doss is not jaded by the world he lives in and that’s a feeling you take from the movie. He enlists with the intent to save lives and not take them and that puts his values at odds with the very nature of war. A large part of the movie captures the struggle of Doss to stick to his values, even when he is bullied, assaulted, prosecuted by his comrades to abandon his faith and pick up arms.
War is at the core of the times and you can’t miss noticing Doss and Dorothy’s first date was a war movie. Hacksaw Ridge is a war movie, that doesn’t glorify war. We’re shown the morbidity, the infestation, the human death and decay caused by war. It’s not sanitized for the audience. The war scenes are brutal, intense, gory but somehow not gut wrenching. There’s a stark difference in the visual aesthetics between the first and second attempts to capture the ridge. While the first attempt, felt a little amateurish, the second time when the troops return with renewed faith is anything but. We only wish that’s the aesthetic that the cinematographer had gone for from the beginning, since the war scenes make nearly all of the second half.
Religion and war are constantly at odds in the movie – not only in Doss’s conflict but in every other aspect as well. From an alcoholic father, retired from the army who resorts to domestic violence in a deeply religious household, to Doss asking for his Bible as he’s being rescued from the ridge while we see men falling all around – we’re constantly served images of religion and violence in the same frame. Doss’s faith remains undeterred through the film and it’s as much a war narrative as a story of a man’s resilience to his values under intense pressure. For a few moments, we’re shown a despondent Doss who asks ‘What is it you want of me? I don’t understand. I can’t hear you.’ But this conversation doesn’t go anywhere and you’re left with a feeling of wanting to hear that debate, that internal struggle to come to terms with his principles and the reality of war.
Hacksaw Ridge presents a simplified view of issues of faith, religion, patriotism and humanity. What could have been a complex, layered conversation is over simplified as the film adopts Doss’s simplistic view of the world. At one point Doss says, in his characteristic charming way, ‘With the world so set to tear itself apart, it doesn’t seem such a bad thing to try and put a little of it back together.’ This honest charm and compassion makes Doss endearing, but when the movie adopts the same over simplified lens, one misses the nuance of this complex conversation. Doss’s faith serves as his armour against all and gives him the strength to carry on as he rescues 75 of his comrades, while chanting, ‘Please lord help me get one more’. This moment is the crescendo of the movie. This is the moment that evokes the emotion Hacksaw Ridge intends to and this is the part that would stay with us.
Until next time, keep the popcorn tub handy!
Adi & Sahil
@ThePopcornWaltz
